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Tuesday, April 29, 2025
HomeDressageTitle: Shakeela Finds New Rider as Kohoutek Family Expands Their Dressage Line-Up Shakeela,...

Title: Shakeela Finds New Rider as Kohoutek Family Expands Their Dressage Line-Up

Shakeela, a finalist at the 2024 World Championships for young dressage horses, has a new rider. Breeder and owner Wilfried Putz sold the horse to the same family as his Belinda FRH.

Shakeela is a 7-year-old Hanoverian mare by Secret out of Red Roberta (by Royal Blend x Don Frederico x Singular Joter).

The mare’s competition career began when she was four in 2022 under German-based Swedish rider Lydia Jordan. She produced her up the levels until her sale.

Their first big spotlight event was riding at the 2023 Hanoverian Young Horse Championships in Verden, where she won the L-level test. At the 2023 Bundeschampionate in Warendorf, the pair finished 19th in the 5-year-old dressage horse finals.

In 2024, they headed to the World Championships for young dressage horses in Ermelo, where they finished 8th in the 6-year-old finals with 82.00 points.

In June 2024, the Kohoutek family purchased the WCYH finalist Belinda FRH, which was also bred by Putz. Mom Christine Berghaus now added Shakeela to their line-up.

While Belinda was allocated to junior rider Clara Kohoutek, Shakeela is intended for her younger sister Laura, who has been competing on the former German team pony Der Kleine Sunnyboy.

Shakeela, a 7-year-old Hanoverian mare, has a new rider after being sold by breeder and owner Wilfried Putz to the Kohoutek family, who also purchased another of Putz’s horses, Belinda FRH. Shakeela is by Secret out of Red Roberta and began her competitive career at four under Swedish rider Lydia Jordan, achieving notable success in various championships.

Under Jordan, Shakeela won the L-level test at the 2023 Hanoverian Young Horse Championships and finished 19th in the 5-year-old finals at the Bundeschampionate. In 2024, they competed at the World Championships for young dressage horses in Ermelo, securing 8th place in the 6-year-old finals with a score of 82.00 points.

The Kohoutek family plans to have Shakeela compete under Laura Kohoutek, who has experience with the former German team pony, Der Kleine Sunnyboy. This transition marks a new chapter for Shakeela as she joins the Kohoutek family’s lineup of competitive horses.

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Title: "Recent Highlights in the Dressage World: Weddings, Health Updates, and New Beginnings"

Luxembourg 5* dressage judge Christof Umbach got married to Ralph Hombücher on 22 April 2025. The couple celebrated their union at The Breakers in Palm Beach, Florida. Umbach was previously long-time linked to Luxembourg dressage rider Sascha Schulz, while Ralph Hombücher was married to Arnd Erben until Arnd’s sad and untimely passing in December 2023. Christof announced the news of their wedding on Facebook with "A journey into new beginnings. Love is in the air. We did it!"

Jessica von Bredow-Werndl has allocated client’s horse Del Sogno, a 6-year-old Hanoverian by Dante’s Junior x Lauries Crusador xx, to her student Carla Süss. Owned by Sönke Rothenberger, Del Sogno was licensed in Munster-Handorf in 2021 and first competed by Anna-Giulia Savic before Philly Giesselmann (née Roberts) took over the ride in 2023. She competed him at three shows and finished 8th in the 4-year-old challenge that was held at the 2023 World Young Horse Championships in Ermelo. The bay moved to Werndl in March 2024 and only showed once with Jessica, in September 2024, at L-level. Süss has now taken over the reins. Süss began her show career in 2021 on ponies and most recently has been showing Finest Beat (by Furstenball x Simply) and Valentin. She has not yet competed internationally.

Swedish Grand Prix rider Sanna Nilsson had to be taken to the emergency room in Eskilstuna, Sweden, on 19 April 2025, after suddenly falling at night. She explained, "I had extremely low / poor values when I came to the emergency room but still felt a little better already then, when I got just the right help in the ambulance. Thank you to the great ambulance drivers who listened and took care of me absolutely correctly, even though I spit down your entire ambulance (apologize once again for that)." She has been hospitalized and is testing a new round of penicillin.

Austrian Grand Prix rider Diana Porsche announced that she is pregnant with her first child. She and husband Philipp Stadlmann are expecting a baby boy in October 2025. "I couldn’t be more excited to begin this new chapter together," Diana posted. She competed at the CDI Fontainebleau before going on an extended baby break. Her show debut with Imhotep, which she took over from Charlotte Dujardin in November 2024, will have to wait as well.

Dutch dressage rider Marten Luiten is sidelined for a short while with his arm in a cast. "Yesterday I made a not so graceful tumble," Luiten took to Instagram. "A little while out of the running and super happy with the team here that keeps things going."

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Title: "The Art of Horse Training: Insights from Reitmeister Martin Plewa"


Martin Plewa has held countless roles in the equestrian world throughout his career, but above all, he is a passionate trainer devoted to the welfare of the horse.

Following numerous requests, we are pleased to present the English version of our interview with Reitmeister Martin Plewa:

Let’s start with the basics of horse training. What are the absolutely essential principles you believe cannot be compromised?

I believe we have a very strong foundation in classical riding theory. For me, the most important thing is always to tailor the training to the horse. To do that, I need to understand: How does a horse move? How does it learn? Training must be adapted to the horse’s stage of maturity, age, and later, its level of education. The horse must be able to easily understand what the rider is asking. That means building everything logically and following clear principles—for example, progressing from simple to complex, from familiar to unfamiliar. This ensures the horse never feels overwhelmed.

Beyond that, I must always pay close attention to the horse’s reactions, constantly sensing how it understands my aids. If the horse doesn’t respond the way I expect, I have to question myself: What might I be doing wrong? It’s essential to always listen to the horse and allow it to influence the pace of the training to some extent. Of course, you have a system in mind, but every horse reacts a little differently.

You also need to allow enough time and maintain a sense of calm. There was a famous 19th-century equestrian scholar, Gustav Steinbrecht, who said, "Ride with benevolent composure." That perfectly captures the mindset: approach the horse with positivity, remain relaxed and unemotional, but always stay consistent.

In your view, are today’s riders different when it comes to patience, consistency, and sensitivity toward the horse?

Yes, I believe there’s been a shift. My generation learned from instructors who mostly came from military backgrounds—cavalry officers who taught in a very structured, prescriptive way. As students, we were eager to follow these clear guidelines, and it worked.

Today, trainers tend to adapt more to the individual needs of the rider. However, some riders fail to recognize that their own seat and aids aren’t yet sufficiently developed. They really need more training themselves before they can fairly and correctly educate a horse. I often see the focus placed more on "training" the horse than on improving the rider—things like seat corrections are often neglected. We now tend to be more considerate of the rider than the horse, and that can lead to riders developing the wrong mindset, blaming the horse when things go wrong. I absolutely do not tolerate that in my teaching. If something isn’t working, the first step is always self-reflection.

There are many efforts underway to make riding instruction more accessible and didactically refined. Do you think that’s useful?

Absolutely. It’s crucial for riders to engage with their own sense of movement and physical strengths or limitations—things like suppleness, elasticity, and so forth. But in the end, the key for me is always the rider’s feeling. Riding is a sport of coordination, and coordination requires mobility and a highly developed sense of body awareness.

Was there much focus on body awareness in the old military-style training?

Yes, definitely. A fine hand was especially emphasized. One of my instructors used to say, "The horse’s mouth is sacred." We always rode without auxiliary aids like side reins. Great patience was given to achieving correct contact.

In the first youth rider exams, all horses went without any auxiliary reins. I rode my first test at seven years old—horse changes included—and that was completely normal. And woe to anyone who pulled on the reins—they were immediately corrected. The foundation was always the correct use of aids, learning to properly connect the horse to the aids, to allow the reins to "chew out of the hand" correctly. We practiced that endlessly, and even if we didn’t fully grasp it as children, it ingrained the correct feeling so thoroughly that later, we could ride any horse properly.

There’s a lot of criticism of modern dressage. In your opinion, is the sport still justifiable?

Of course it is—provided we ride correctly. Our training system is based on the horse’s natural movement. But we’ve seen some serious deviations, and these weren’t addressed soon enough. That’s true nationally in Germany as well as internationally.

When incorrect riding is rewarded at competitions, it’s no surprise that riders start copying it. I’ve followed international sport for decades—World Championships, Olympics, and so on. There was a clear shift: suddenly, horses were dramatically overflexed, yet still winning.

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