The article highlights several theatrical and performance works recently showcased in Paris, emphasizing their emotional depth and artistic innovation. One notable production is Julie Deliquet’s adaptation of Svetlana Aleksievich’s interviews with nine Russian women who recount their experiences of war, offering a poignant exploration of fear, resilience, and the often overlooked female perspective on conflict. Another significant mention is Bartabas’s equestrian show “The Songs of the Corveau,” which blends poetic staging, traditional Iranian music, and philosophical themes, though it received mixed reactions for its abstract narrative.

Additionally, the article praises Jean-Luc Lagarce’s comedy “New,” a tender and humorous play about a struggling theater company that delves into the joys and conflicts of theatrical life. It also celebrates Philippe Decouflé’s company DCA and their vibrant new creation “Meanwhile,” a playful homage to silent cinema and music hall that joyfully explores the passage of time through dance, live music, and theatricality. Together, these works underscore the rich diversity and emotional resonance of contemporary theater in Paris.